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His work reveals a clear interest in the relationship between audiovisual products and their viewers. Initially pictorial, it has come to embrace a wide range of media such as videoinstallation, electronic music, visuals for theatre or painting.
Hugo Alonso’s individual recent projects are Pendulum (Ceart, Fuenlabrada, 2016), Believers (La Salina, Salamanca, 2015), Cómo resucitar una mosca muerta (Festival de Cine de Medina del Campo, 2013), Frederick Treves y la Cámara de cirujanos (Galería Salvador Díaz, Madrid, 2010) or Paintingdrome (DA2, Salamanca, 2007).
He has been part of group shows such as Toc (DA2, Salamanca, 2016), This is not a love song (Pera Museum, Instambul, 2015), The expanded light: new technologies in spanish videoart (Telefonica Fundation, Madrid, 2015), No limit (Cultural Corean Center, Madrid, 2014), Paisajes Improbables (Junta CyL, Portugal, 2012), Art and Videoclip (Loop Festival, Barcelona, 2012), Generación 2008 (Cajamadrid, Madrid, Sevilla, Barcelona, 2008), Della Pittura Digitalis - Painting and the digital momentum (Caprice Horn Gallery, Berlin, 2007), Mixed emotions; DA2 Museum Collection (DA2, Salamanca, 2008), Existencias; MUSAC Museum Collection (Contemporary Art Museum of Castilla y León, León, 2007) or Heterotopias (Oktogon Hochschule für Bildende Künste, Dresde, 2007).
His recent highlight achievements are Art Madrid Noca Paper Prize Best Solo Project 2016, Premio Jóvenes Pintores Fundación Gaceta 2013, Premio Arte Joven de la Junta de Castilla y León 2011, Premio Caja España de Pintura 2008, Premio Optica Videoarte 2008/2007 or Premio Jóvenes Artistas de Castilla y León Caja Burgos 2007.
His work can be seen in public collections such as MUSAC (Museo de Arte Contemporáneo de Castilla y León), DA2 (Domus Artium 2002), CAB (Centro de Arte Contemporáneo de Burgos), Fundación BMW, Diputación de Salamanca, Fundación Gaceta and Obra Social Caja España among others.
www.hugoalonso.info